Saturday, August 31, 2019

Playlist #3 - Relinquishing the Daylight



1. Rawkfist - Thousand Foot Krutch


2. Eastside - Benny blanco ,  Halsey  &  Khalid


3. Somebody Else - Flora Cash



4. Knives & Pens - Black Veil Brides



5. Roots - In this Moment


6. Wrong Side of Heaven - Five Finger Death Punch




7. Sooner or Later - Breaking Bemjamin


8. Awake & Alive  - Skillet 




9. Let it all Bleed out - Rob Zombie




10. Last Day Under the Sun - Volbeat




11. Room 138 - Asking Alexandria, Room 138 



12. Stuck in your Head - IPrevail


13. Pay Your Enemy - Story of the Year




Story Time

Relinquishment of the Sun

It is approaching...the Last Day of the Sun. Sooner or Later this was bound to happen as we have fought to replace the sun causing it to Let it All Bleed Out. The joy, love, and life it brings. The people held up their Rawkfist and decided they'd rather be on the Wrong Side of Heaven instead of biting the bullet and Pay Your Enemy.  Its Roots were to keep the creatures of Earth Awake & Alive. We denied those roots when we proudly brought forth our Knives & Pens and try to negotiate it and when that didn't work, we tried to threaten it. Technology can't replace the sun. That was the threat. What was the mindset to which this could've been possible. Sun, we wanted to Stuck in Your Head but now that's impossible after our incomprehensible conquering. These days are becoming bitter after the Sun got lost following its defeat. Somebody Else has to find it. It is too late for me to do so. I know where the Sun's stashed itself away. To think of the Sun as a physical subject that can find a retreat is madness but look to the Eastside on the corners of Knives & Pen Ave within the Heavens Heights Apartment in Room 138. Doesn't matter if you find it for our victorious celebration still tastes like the bitter embers of what heat once could enlighten.

Sunday, April 14, 2019

Playlist #2 - Staying Sober and ready

Another playlist with mostly metal...some electric. At the end will be another silly story with all song titles.

1. H - Tool




2. The Pot - Tool



3. Lift Me Up - Five Finger Death Punch



4. Over and Over - Three Days Grace


5. Behind Blue Eyes - Limp Bizkit




6. All I Want - A Day to Remember




7. 4AM Forever - Lostprophets 



8. Rusty Nail - X Japan




9. Silence - Marshmello ft Khalid




10. Rasputin/Vladimir Putin/Love The Way You Move - Slightly Left of Centre



11. Blow Me Away - Breaking Benjamin




12. Falls Apart - Hurt




13. I Fall Apart - Post Malone




Story Time

All I want is to know what H stands for. Even looking Behind Blue Eye won't help me in this battle against the Silence. I fall apart over and over guessing the numerous answer. Is it help, hope or the answer to how to lift me upVladimir Putin is surely hiding this secret and not knowing is hurting like stepping on a Rusty Nail. Such pain will Blow Me Away.  Can't go to sleep; just waking up feeling like I'm trapped at 4am forever.  The Pot is too hot for me not to know the answer. This mystery falls apart when we create the answer for ourselves. Here happens to have a hypothetical hardship for happenstance of hardship. You choose the one that fills your heart. 

Sunday, March 17, 2019

Playlist 1 - Breaking the glums

I don't know. I like listening to music and want to have easy access to what set songs represent my mood. Used to love doing this on myspace until it went into the crapper. These will all have youtube links and I may even make it easy and make an actual youtube playlist first but let's see how this grabs folks. All playlist will be 13 songs long cause that's my favorite number. Also, at the end I made a story...er poem using all the titles on my playlist.

1. Time of Dying - Three Days Grace



2. Headstrong - Trapt


3. Hero - Skillet




4.  Disease by Beartooth


5. Find You're Here - Wolfsheim




6. A Reason to Fight - Disturbed




7. I apologize - Five Finger Death Punch




8. The Light - Disturbed




9. Evil Angel - Breaking Benjamin




10. Help is on the Way - Rise Against




11.  The Kill - 30 Seconds to Mars


12. In Between - Beartooth




13. Alone in a Room - Asking Alexandria





Story Time

I Apologize in The Light begging the Help Is On The Way. This Time Of Dying, this fight against the Disease, this trepidation gives me A Reason To Fight. A Hero must be Headstrong against the Evil Angel as they cast down darkness. This  In Between the light and the dark, I Find You're Here ready for The Kill. You are not Alone in a Room, you are amongst those fight the demons everyday and need these melodies to keep them at bay.

Sunday, February 24, 2019

Feelings on Oscars 2019 (written before the Awards)

This isn't well thought out but I want to give my thoughts anyways. As soon as the nominations came out I should've attempted to watch the nominated movies at least for the big categories. There's a lot of funny stuff that's been going on with the Oscars this year due to whoever is incharge being out of touch. It's capitalism at it's finest and most confusing. The two big things is Kevin Hart hosting debacle and possibly making a blockbuster category. Now, the purpose of these are to bring back the Oscars from the ratings slump. Really I can't speculate what will fix the ratings.

 When it comes to my personal reason for watching, I just don't enjoy seeing celebrities pat themselves on the back. The other nuisance to go along with that subject is how politically lop sided the hosts can be and while making jokes assume everyone else agrees with them. Feel like even without the disagreement, it's just not the time or place. It's bad enough we get these people, who are talking down to us for the most part for 3 hours but then also making jokes at our expense for our moral beliefs. One of the reasons movies exist is for escapism. Now, it's true that film exist to show audience possibly a different perspective but at least in those aspects compared to an award show, they're tastefully done and well thought out.

The awards attempted to fix this a little by taking out a mediocre talkshow host, Jimmy Kimmel and replacing him with one of the hottest personalities in Hollywood, Kevin Hart. Of course, that didn't last as political correctness had to strike with folks being triggered by something Hart joked about almost a decade ago when he first started. Hart has came out and say he's grown since those jokes and that's not the kind of humor he relates to anymore. In the end, there ended being no host this could be better but it's tough to hook folks without a face for this year's ceremony.

Addressing the other issue of creating a category just for blockbuster, they kind of did that.  There was no category just for blockbusters but the best picture is loaded with best pictures that at least have a majority of them being wide release with large returns. This idea is to give viewers something more recognizable to root for rather than just movies that are unaccessable. Attempting to fix this issue is messy. In my movie list for best of the year, I address this by choosing a movie from every month of the year rather than just the last quarter of the year, where all the Oscar bait comes pouring out. Saying they should copy me is ridiculous because my list isn't necessarily the best of the year due to the format there are some movies that need to be hunted down. Some of these movies I'm sure use the Oscars as a means to get the word out about their picture.

I at least think a deadline before 2019 would give folks a better chance of seeing the movies. I watch about 90 movies and I still don't haven't seen all the movies nominated.  Opinion on movies of course is very subjective but seeing movies like Black Panther make the list is very sad. The thing is if viewership bounces back up or down. It's going to a madhouse figuring out why. I think it's the entertainment and integrity of the awards that makes it worth watching while the academy thinks it's the stale jokes and attacks upon half the countries political beliefs that make folks turn on the show. Now enough of my gargling, here's who I'd be hoping wins if I was a voter.

Best Picture:



The Favourite - Wonderfully acted with a odd take and what feels like it could be your typical biopic at first.  Style is something I won't forget especially compare to the other movies nominated. A lot of them come off as your typical Oscar bait while this finds an odd combination of Mean Girls if it was presented in the 1700s.  Also, I love Olivia Coleman's performance as Queen Anne. Emma Stone and Rachel Weisz did excellent as combating adversaries but their performance as manipulators didn't seems so interesting to me.

Why not the others -
Roma; while technically great, there wasn't quite a hook to keep me invested as the story went on, Blakkklansman; just seems like the whole point was to show David Duke was epically pranked and most of the suspense fell flat since the racist were portrayed as being so dumb and one note.  Bohemian Rhapsody: didn't see
Green Book; really good for what it was especially the performances by Ali and Viggo but the story didn't have anything going for it
Vice: I know what I was getting in for watching it but I learned nothing new about Cheney besides he was pure evil because of that it was boring.
Star is Born- I really enjoyed this movie and can't say much wrong with it. Besides the brilliant execution of their main song 'Shallow', the movie didn't have that much standout compared to The Favourite

Best Director



Yorgos Lanthimos - Will have to give it to Yorgos. I just find his odd dark tone so enticing and he owns the movie with that in an enthralling way. Simply just love how authentic the atmosphere felt while Yorgos pushed for these obscene situation of these ladies battling for power and love(?).  Yorgos enjoys giving the audience choices but makes them feel helpless in the fact both choice hold such major faults. Feel lazy making this choice because it's difficult to separate best picture and best director because the picture should all be by the director's design but that's why it shouldn't be a surprise especially with a standout personality that Lanthimos presents these things go hand in hand.

Best Actor

Dans « Green Book » de Peter Farrelly, Viggo Mortensen est Tony « Lip » Vallelonga.

Viggo Mortenson - This was an incredibly tough choice to make since every single individual nomination was well deserved. I especially was trapped between Viggo and Bradley Cooper, who was playing a normal person but was a totally different character I've never seen him portray before. Viggo literally transformed though. It was more than just the makeup with his cheesy one note personality flushed out so well, I didn't even recognize him. Was just surprised when the credits came up for Green Book that it was Mortenson playing Tony Lip. Just didn't see an actor, I saw Lip. He's earned this one.

Best Actress



Olivia Colman -  This was so easy. I've seen roles with mad royalty before but what Colman brought forth was something completely unique.  Watching her perform, I laughed and was nervous at the same time. This character was all over the place but that's due to the strings being performed. I've barely seen her perform before but am hoping a win can get her more spotlight.

Best Supporting Actor



Sam Rockwell - I didn't quite get it when he won for Three Billboards; not saying the performance wasn't bad by any mean, just didn't see it standout that year. As Bush, he wasn't super amazing either but I appreciate how little make up was needed and I still had no problem believing he was W. Rockwell really clicked as Bush. Elliot and Driver was fine but nothing special. I really did enjoy Ali in Green Book but I didn't see the performance as being too unique. Didn't like the movie but with Rockwell, I saw Bush and not an actor who had to go overboard with the makeup to believe they're someone else.

Best Supporting Actress 



Marina de Tavira - This was a tough one to make because I love the both performances by Stone & Weisz. It sort of comes off as a wash but I mean that as a compliment. I chose Marina due to how real her performance came off. It sort of reminded me of Florida project where either the actress was picked of the street due to her living the character's life or she's that good of an actress. I believe Marina fits that description. It was a very subtle performance but I felt for her when she was distressed, happy, or just trying to solve an issue that's not hers to begin with.

Best Animated Feature

I don't like this category. Not due to the fact that these are animated films but I think these movies take away from having a chance at the Best Picture.  I don't truly believe they have a shot but I do believe they deserve it. Two years in a row my #1 movie on my top 13 list has been animated films(Coco & Isle of Dogs).  Usually due to Disney being a sponsor and the limited animated full feature films, the options for nominations is kind of embarrassing and a joke at times. Boss Baby was really nominated for an Oscar. Give me a break! Think taking away this category could give these animated movies more notoriety if they were nominated as best pictures instead. Saying that...



Isle of Dogs - Stop motions isn't a brand new style but Wes Anderson sure made it his own. Between his combination of utilizing Japan's stoic culture and his framing design. I loved that this was meant to be for grown ups but due to that didn't have to be vulgar. It was a fun time seeing the movie that delved into themes that always are an easy hook for me such as loyalty, courage and embracing diversity. This is a tough call to make with Into the Spider-Verse. That one was such a fresh breath of air due to it's style. Hard to not choose that cause I utterly loved it. The characters were fun and the animation was extraordinary. Wouldn't mind if it won to certify the new style but I don't think overall was a better film than Ilse of Dogs.

There are other categories I do care about but really with missing so many viewings and would need to repeated watchings to truly pick out if the editing, cinematography or sound mixing were the best. Really like I mentioned with the best picture, a lot of these nominations seem more political than artistic. It's tough to truly be excited by other's pick for this industrial award ceremony.


Tuesday, January 29, 2019

Review of Hulu's Fyre Fraud




Basically a hit job on Billy McFarland. After gathering what information I could from Fyre Fraud, it's well deserved. This seems like the documentary assumed the viewers would know information before hand. I might have missed a few notes but I kept asking for more details and it's not cause the documentary had me hooked but because I felt left behind. I wouldn't have been watching the documentary had I known all the information.

 Oddly, it is a fond interest of mine to discover events with large gatherings of people that have turned into disaster. In college I aided a diversity club that focused on Japanese culture. Every year, we have to put on an event that hosted about 500 people and even we'd be behind on task, it seemed everyone just assumed we'd be able to get it done. The frustrating part of documentary(many other documentary have this same issue) that Fyre Fraud would flash headlines but would not walk through why it's a problem,just that it's a problem and we the viewer should be upset because. For example, apparently McFarland didn't get on the island to plan the Fyre Festival until a few months beforehand. As someone, who has never planned planned a concert I have no idea of the process and why Billy was planning with such little time but from what the documentary was trying to make me feel I'm supposed to hate Billy for it. I'm no dumby, I understand that planning a festival takes a considerate amount of time but as someone whose never planned one I would like to learn details why. In the end, I didn't learn much about this particular aspect of this disaster. This similar to a few angles the documentary tried making the audience upset about like Magnesis. The documentary made it seem like it was get rich quick scam McFarland did to reach his position of power but I can't repeat to another person what the point of the product was besides being application of sorts to credit cards. 

I don't like McFarland and by no means do I want to fend him against Fyre Fraud; I simply don't like how the documentary would drop points and want us to its word for it that it's either accurate or bad. The car crash known as Fyre Festival is a spectacle I don't want to look away but Fyre Fraud gave me nothing to look at just told me how to feel. Somewhat of a hook was the fact filmakers got to interview McFarland. Definitely a selling point in their trailer. I overall feel the interview was incredibly wasted and continued on the rest of the shallow cartoonish ruse. They flatout ask Billy how he responds to being labeled as a sociopath. What kind of journalism is that? It's as subtle as a pro wrestling promo. Now, the documentary could've been a ploy dropped by Hulu to get folks lost on how exclusive the documentary is that came out on Netflix at the exact same time dealing with the exact same topic. I plan on seeing it because I want more detail but it seems from the reaction that the Netflix one aims at making the individuals that went look stupid and deserving of this outcome while the hulu one aims at making McFarland a predator. Rich or not, I don't think anyone deserves this sort of let down. I may not even stop at the Netflix documentary if I get the motivation. There's a lot of great youtubers who cover such man made disasters, who I'm impressed; often it deals with disasters at amusements park but with the hype Fyre Festival got it looked to be an amusement park if it were to live up to the hype. 

The way I would've orchestrated this documentary was Act 1, have someone who was along for the setup explain how Billy got them involved, and have them explain the process needed in setting a festival up and why Fyre obviously didn't do that. Act 2, follow a victim of the Fyre Festival from the purchasing of the tickets to the flight to the quick revelation that the lodges were crap, food was crap and the music was not coming. Fyre Fraud did a little of this by it feel likes a lot of it was assumed that we knew how they felt when they found out. The frustration would have me roasting those damn pigs. Act 3, finsih it with McFarland's point of view. Let him try to convince us why he's right than show he's the devil. The FBI got him so no one watching will fall for his words. His interview seemed like it was only 10 minutes which seems pointless in showing such dumb antagonistic questions. 

I wouldn't recommend this. The whole time I just wanted to jump on Wikipedia to learn about what they were talking about and a documentary should have that take care of. Also, is it just me or did that skinny blonde expert sound a lot like Mindy Kaling.  C+

Sunday, January 20, 2019

My top 13 movies of 2018

After watching almost 100 movies from 2018(96 exactly) this is my grand list of top 13. Since I've noticed years ago, all the Oscar bait movies come out at the end of year making those great film that came out neglected for editorial favorites of the year.

My format is a little convoluted but I find it and creates a scenario where some other less shiny movies get love. The idea is 12/13 movies are chosen so that each movie was released from each month of the year with #13(not in order) chosen as a wild card. Release dates are funny since since they could've been played at several small film festivals or released overseas ahead of time. I basically rely on IMDB and their reveal of the widest release in the US.

This list is of course personal taste but I try to rely on a combination of investment, how compelling the plots(as well as how well it flows), performances and visually.  Would love to see if you disagree or how you feel about the ranking. The other goal is to possibly showed folks films they might have missed due to exposure so if you need help to gather access to this film be sure to let me know.


13. The Gospel According to André (May) B+

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Director: Kate Novack

This documentary about Andre Talley was simply delightful. Saw many documentaries about fashion designers and artist in generally and simply became numb to them. I got it. Art is subject. Cecil, McQueen, or even Jeff Coons were different and were proud of doing so but none spoke to why that difference should standout. Kate Novack made sure Andre's voice vibrated throughout this film. He was entertaining, funny, and had a journey he had to overcome without giving us a sob story.

Not sure if it was all Novack or I was just intrigued by Novack in general but his personality certainly glows without appearing to be forceful. Basically gospel shares Andre's philosophy and it does what a movie needs to do and make that philosophy entertaining while hitting a must for a documentary and educating the viewer of its subject. It made last due to me feeling I was incidentally overcome by Andre's personality so much in this possible fluff piece but either way I was overwhelming captivated by the end.

12. Padington Bear 2 (Jan) B-

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Director: Paul King

Simply charming is the best means describing the film.  Didn't figure I'd like this movie especially since I didn't see the first one all the way through. The Paddington Bear has goals and due to gleeful magnetism, he makes plenty of friends on the way. The most enjoyable of these group of friends is the prisoners as seen in the photo above. Most kids movies of this demeanor come off as demeaning as the character always wins and don't learn from their mistakes. Paddington makes mistakes but his positive outlook keeps him going and it actually comes off as persuasive seeming as Paddington is places in the most trepidatious scenarios but find a positive means of turning it upside. Seeing Hugh Grant as a villain made me feel good cause I never enjoyed his company even when he's supposed to come off as charming.

 Close to last on the list due to a couple subplots existing just to be cheeky, which really came off more as annoying. Overall this is a solid children's film I would not hold back on recommending. Quite a nice relief to see one that doesn't demean it's viewers.

11. The CloveHitch Killer (November) B+

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Director: Duncan Skiles

What a great horror film.  Not the most refreshing concept but the execution is captivating. Dylan McDermott does a great dadding it up. It was a fun and intense feature. I enjoy flicks where kids are stuck with information but have nowhere to go due to the believably of what they've been dealt. Charlie Plummer and Madison Beaty do a wonderful job of bringing the audience into the alarming scenario that's discovered. Really the kids bring us on the journey but McDermott's portrayal is what give this film life and makes it exceptional. Even in the most bitter scenes McDermott drops dad jokes that makes the viewers awkwardly want to smile.  The tension is great. Figure this is likely the best horror movie of the year.  A great watch if you want to get trapped a world of turmoil with the slight glimmer of cheesy gless.

*Want to thank RedletterMedia for recommending it.

10. Beautiful Boy (October) A

Director: Felix van Groeningen

Was really nervous that this was going to be a tale of misery but it's simply much more. The topic of addiction is quite difficult to literally put in words. Is it a disease, choice, or a combination. Visually this film gives the viewers an example of the mentality of those dealing with those, who are addicted. It's quite tragic but really the film shows the best way it can of the endless circle addiction can bring.

Steve Carrell does a great job playing a trouble and conflicted dot, where we one see glimpses of Michael Scott; this is a positive since almost everything he does Michael Scott cannot be avoided. It just depends on how much depending on how much his character entices the audience. The movie does an amazing job at pulling at heart strings, which is a big reason this film made it onto the list. Groeningen does a great job of getting the audience to care even though we're trapped in this horrible loop, where we know what happens next.

 Carrell carries the movie on his shoulder as we learn with him how to take in such a personally tragic blow. It's a little lower on this cause it's one of those great films I'm not sure I'm going to watch again but it probably had me more emotionally connected than most 2018 films, which is why it made the list in the first place.

9. Oh Lucy! [6.8] (Wildcard) A-

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Director: Atsuko Hirayanagi

Very similar to Blindspotting, the dialogue in this is just tremendous. Shinobu Terajima & Kaho Minami seemed like actual sisters with their back & forth. Although, I would place this movie in the comedy genre, Lucy has to defeats to motivate her. This film brings the audience on this fine line similar to that of Clueless. Where as Clueless to me it seemed clear cut but Oh Lucy gets everyone in the mindset of what it's like to deal with our protagonist trepidation. Also, this movie lets everyone know that Josh Hartnett is still alive. Very odd to see him but he did ... fine.

 It slightly bothered me he was an English teacher, who doesn't know Japanese but I know of a lot of programs that accept with individuals with the same amount of knowledge. Really as cold and odd Setsuko's motivations are, you really want to see her be happy. This makes the list due to the alluring dog and fun self fulfilling journey. A little bit lower on the list cause the movie doesn't quite know how to end unlike some of the higher films.

8. Mandy (September) - B-

Director: Panos Cosmatos

What an amazing path down the nightmare trail.  Not much in plot but it definitely takes you on a journey with its visual storytelling. Oddly enough, this is a picture you want to make sure you're not tired going into watching. Not saying it's boring by any means but everything is so mesmerizing in the beginning, it could almost rock you to sleep. The movie flips on a dime and becomes a rock & roll hellfest staring Nicholas Cage and how can anyone not appreciate that. This may be my guilty pleasure for the year but it certainly stands out from the rest of the movies I've seen in 2018. 

Like mentioned, the story isn't deep but there are dots to connect. The fact the simple & straight forward makes it more fun not to be confused. Out of all the films on this list, this movie stands out to be the most fairytale how certain ideas and characters feel to be everlasting even if not phsyically there. Although lack story, think #6 is a fair position especially with crazy Cage, fascinating visual and down right rocking action.  Can't miss if you have the stomach for it. 

7. A Prayer Before Dawn (August) A-

Director: Jean-Stéphane Sauvaire

Another movie will describe with one word and that is claustrophobic. Not quite the say way like 10 Cloverfield defines but watching this I felt so uncomfortable and anxious. At first this feeling felt odd since we certainly would not take the actions of Billy but empathy grows as being an english speaker in a foreign prison. At first I wanted to get subtitles but discovered that Sauvaire didn't want any. If not for this we wouldn't be trapped in the same world as our protagonist...maybe antagonist also. Not a gleeful feature but one I would recommend to give one a totally different experience.

6. Death of Stalin (March) A

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Director: Armando Iannucci

Wow, this is how mockumentaries should be done. Yes this was not technically that but it was so refreshing seeing Iannucci make such a dark & troubling period somewhat fun to watch. By no mean did this make light of other's misfortune but gave a heightened reality as to what happened during this messy transition. Certainly reminiscent of the childhood tale of the Emperor's New Clothes, where all these greedy character are so used to saving themselves that what's best for Russia is definitely secondary.

 So happy to see Steve Buscemmi in a serous role such as his character in Boardwalk Empire.  He seemed so neglected after his wonderful performance in that show. Not sure the accuracy of the movie but if you're a history buff by any means, I would declare you go out and see this to get an understanding of the pettiness within their sloppy government.

5. Spider-Man: Into the Spider-Verse (December) A-

Director: Bob Persichetti, Peter Ramsey & Rodney Rothman

So happy that I can love Spider-man again as much as I did when I saw the first two Raimi movies. This isn't a dis towards Holland's Spider-Man; just that his movie had a great Spider-Man in a flat world. The environment should be encased in our heroes needs.

Here, the modified style certainly does that. Not sure if the style is created more to fit the Spider-Man character or the plot of the universe breaking. Whichever it is, the approach is so refreshing. While the design was a great hook, the filmakers also knew how to appropriately plug in music too. The music does a stellar job of allowing us to know we don't have the same Spider-Man in this film with Mile Morales replacing Peter Parker. Miles being an interesting character is what's surprising. I have so many Spider-Man comics but the ones with Miles are so boring.

In this film, the journey and troubles Morales is dealing with is intriguing. Another remarkable factor is how the movie jams so many characters but doesn't create a convoluted mess but ergo everything is easy to follow and even quite fun to see, which characters pop up. Since the movie takes place in an alternate universe, there's a lot of surprises even for the biggest Spider-Man fans. This certainly belongs on my list with due to the incredible style, twist on characters, and simply fun story.

4. Blindspotting (July) A-

Director: Carlos López Estrada

Blindspotting is a pretty powerful film reflecting a current hot topic in today's political minefield but it doesn't get bogged solely on the politics. The way Miles and Collin interact with each other is so natural that it's pretty reminiscent Tucker and Cube in Friday. Not necessarily a rap fan but I enjoy their rapping quite a bit that even is part of what hooked me into the film. Estrada does a great job with the visuals placing the audience members into the mindset of what Collins is going through with between his traumatic events, that develops.

What I also appreciate in this film is that it wasn't manipulative, in where it doesn't take a gradient topic and make it black & white.  The journey Collins goes through in dealing with certain relationships in his life while handling the anguish of how the US is treating Africans American from his perspective is so enticing. The dialogue was so smooth, that I never got bored with their conversation. It also finds a great balance of humor and drama. One moment I would catch myself smiling at Collins & Miles banter and the next I would be on the edge of my seat without thinking twice.

 I usually don't get captured in suspense too often but Estrada created one of the most suspenseful scene I've been locked into for awhile. Makes #4 cause Estrada displayed great visual along with compelling dialogue delving into a topic I usually would cringe away from but not here.

3. Won't You Be My Neighbor? (June) A

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Director: Morgan Neville

This was one of the best documentaries I've ever seen. I have a such a difficult time being objective with documentaries because of how either manipulative they can be or how flat they can be while relaying no information. This documentary certainly surpassed my expectation. It revealed a different mindset when it comes to approaching children's entertainment.

Was not expecting such an altercation to take place as I was looking forward to a nostalgia trip from my childhood growing up with PBS but I got more than that. It was a pleasure to have Fred Rogers share his philosophy in a convincing fashion. As someone, who works with children, the message spoke deeply to me.

 The fact most children's television is used as a means of consumerism is alarming and Rogers. shows what difference an individual can make to fight against it. This documentary did the wonderful discovery of educating on what happened on the television, what it inspired and how we can currently continue sharing that message.

The theme stood out to me more than any 2018 movie and I even feel if you deal with children it's important to see what this movie has to offer.

2. Annihilation (Feb) B+

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Director: Alex Garland

When I connected the dots after viewing this movie, that Alex Garland also directed Ex Machina, it made so much sense. Annihilation is visually stunning but also the concepts it digs into are quite compelling. This movie doesn't quite hold twist but reveals info one could observe possibly pieced together throughout the whole film. Nothing in this movie is handed to the viewer. The whole theme is adaption but there are so many directions it can so I loved how this movie kept me on my toes. Truly was engulfed trying to explore what the entity was. 

No other movie in 2018 created quite a mystery as Annihilation did. Folks have pointed that this is progressive for having a mostly women cast while I just saw it as a great movie on its own merit. This is a great flick for horror fans too. The creature design are some of the most vicious I've seen in quite some time. I'm not being over zealous when I'm saying vicious. A film gets me excited when I genuinely feel emotion. At times it's tough to watch horror because I'm so numb to the scares but Annihilation had a scene that genuinely had me scared and anxious. 

When a film that pulls that off it's a rarity and certainly stands out as to why it reaches #2. Between the creative sci fi elements and grand mystery these character have to discover with the audience, this becomes a top piece to view from 2018.

1. Isle of Dogs (April) A-

Director: Wes Anderson

This movie was the perfect combination of my favorite things between the presentation of Japan, dry humor and beautiful yet smooth stop motion animation.  Just loved this movie. 

Normally I would reserve going to the theaters for action movies since one would get the same experience of simple dramas at home but I am so happy I saw this in theaters. Wes Anderson displays Japan in such a simple yet vibrant way. He finds a way to make flat shots and simple demeanor hold so much personality. I always find it exciting when the protagonist is flawed and not in just a 'I wish I was better at this way' Atari fought for something noble but was a troublemaker in the process. 

Chief had the same individuality, where he fought tooth and nail to be a good boy but it even the smallest amounts of progress payoff do to this. Out of all the movies I saw this year, this one stood out the most between the sets, animation, fun cheeky dialogue and unrelenting dive into Japanese culture. Surprised a Anderson movie made #1 because I've always enjoyed his movies objectively but here he also had though personal elements that connect me making it outlast all in 2018

Past list: 2009 2010 2011 X 2012  2013 X 2014 X 2015 X 2016 X 2017

Extra .... (may add details later)

Best Actor – Vigo Mortenson (Green Book)

Best Actress – Toni Collette (Hereditary)

Worst Movie of the Year [these aren't the worst just funniest bad of the year] – Jurassic World / In Between

Monday, January 15, 2018

My top 13 movies for 2017

Basically the premise is choose the top movie of every month(plus a wildcard). It’s the best out of the 75 movies I’ve watched this year. 
Now, this top 13 isn’t just a straight up list of the top 13 movie. 12 of the 13 movies are the best releases from each month and #13 is a wildcard. This may not be 100% to what is the best movies of 2017 but this is still a pretty damn good list that will hopefully give folks something highly to look back on from 2017. 
Biggest reason I do the special listing is cause I’m sick of seeing list where 80% of the movies on the list came out in the last two months of the year. I get that’s the time of the year where studios do an Oscar dump but I feel part of it also short term memory.  For release dates, I use the widest release for US that IMDB has listed. This system gives more movies a chance that are forgotten due to their early releases potentially.  
13. Patty Cake$ (August)
Wow, really surprised this movie won me over like it did. Remember Honey Boo Boo. This was essentially if she was a rapper... and actually talented. Patty Cake$ had plenty of heart. It did remind me of 8 Miles and Eminem's story. I know all white rappers are the same. Similar but Patty Cake$ definitely didn't itself so seriously. It's why I found it so enjoyable. It made her tremendously relatable. Killer P was a gal, who had a dream, but she had responsibilities but at the same time was a bum. It was just a pleasant experience of ghetto trash trying to become a star. Certainly an odd ball film on this list but still a pretty good comedy with strong characters. It even has a rapping grandma. erm not really.
12. Kong Skull Island [March]
Just loved this film. Now, I had no problem going into this that they had to make Kong bigger to make him able to fight Godzilla. My main concern was how they were going to twist the King Kong story. There’s a theme to Godzilla the character, so you can take him out of whatever Godzilla story and plug him in whereever without messing with the character’s integrity. King Kong I don’t feel this is the case. He’s not just a character but his story is the emphasis of man interrupting nature.  It’s a milestone story. Kong is the emphasis of nature. 
Kong Skull Island doesn’t give a damn for this integral story for the most part.  Sure man is still invading the nature of skull island but Skull Island is out to give the audience, what the audience of Godzilla came to see and that’s MONSTER BATTLES with kooky characters. John C O’Reilly, Samuel Jackson and John Goodman gave us characters. They were dirty and interesting. The three became almost as much of a force of nature in the film, which is something Godzilla truly could’ve used. The fact it’s more entertaining than Godzilla isn’t the only reason it’s on the list but it certainly helps.
 The movie was plenty happy to take it’s viewers on a tumultuous adventure. The tawdry action was wonderful, with a good cast of characters. I was smiling through most of it just appreciating how much of a badass Kong was. There wasn’t a story of Kong but Kong still stood strong. He’s a character that will always stand the test of time even in this alternate world. It’s similar to the idea of the show Gotham; there’s no way that show is the prequel to the Batman we have but if narrative is entertaining, who cares!  Deserved to be on the list due to it’s entertainment but also on the lower side cause the story could’ve been much tighter also HipBrie Larson was a bit annoying when she wasn’t with Kong.

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11. Gerald’s Game [September]
This film’s script is so amazing. When the inner monologue began I was won over. The dialogue was so smooth and smart. A couple things came off corny like the setups for later payoffs were super obvious but as information about Jessie became revealed things became more surreal but clearer when it came to her inner psyche's motivation. Never quite found myself scared at just endowed her dialogue and how she would imagine a conversation would go if others were there. Who doesn’t want to have a clear conversation with themselves? That aspect is what really hit home. Don’t worry this film does play greatly into the horror tropes that should make you go WTF but I’m so numb to much of that, that wasn’t the big hook for me. The premise is a a very shlocky horror movie idea but I didn’t get bogged down on that due to the main character being bigger than the concept. 
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10. SalesMan aka Forushande [Wild Card]
Great story  It actually reminded me of Denis Villeneuve’s Prisoners. The acting in it was pretty solid and took a somewhat realistic approach to the revenge type storyline. There is definitely social context for how women are treated in Iran but  the presentation of this commentary is pretty ground not slapping the audience in the face a black and white scenario. Now, I feel I would've got more possibly from the film if I’ve read or seen the play Death of a Salesman because the whole story of the film takes place while the main characters are performing in the Death of the Salesman. Really enjoyed how information was strolled out though slight deception from other characters. It makes it very difficult to tell the intentions of all the characters which makes the ending more engrossing. It’s a very subtle drama but I feel it’s very important to watch for it cultural prowess. Reason it’s on the lower it because of it’s subtlety. Not really a detriment to the film itself but just my personal taste that holds it back.

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9. Ruin Me [October]
This movie is not one that you could describe as subtle by any means. Quite frankly I just enjoyed the rollercoaster for as shlocky as it was. I’m sure if I sat down and thought about there’d be things to nitpick at. Really I don’t are cause I was entertained. This movie definitely had cliches drawn from Saw, Chainsaw Massacre and Scream but I love those cliches. 
The premise is a couple attends a camp that places you into a horror movie scenario. Of course everything goes wrong. The story also gives the audience a great mystery on multiple different levels. Kind of a neat whodunnit with a little bit cheating. The whole time I knew there were twist so I was say I had enough fun just trying to guess.what the answer was but the film does not slow down too. One would assume since it’s at a camp that the theme would be Jason but it’s a hybrid of several fiction somewhat like Cabin in the Woods but that’s just background noise and not distracting. 
As an audience we get also get thralled into the thriller the main gal is put in and feel the fear, anxiety and confusion, which itself turns into a helluva ride for the audience. Would certainly recommend if you enjoy your horror movies at the corniest. Things do get serious but I I feel like it’s earned. Definitely appreciate my cousin bringing me to this at the Twin Cities film festival. One I think a group of friends can certainly get behind for Halloween. Not sure about it’s accessibility since I saw it at a film fest but if you find a way to watch it; certainly do so. 

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8. Ghost Story [July]
Time capsule the movie!  Honestly when I first watched this; I loved the visuals but was getting slightly thrown off by how slow the movie was. When it came full circle I was taken back. Just thought it was great how the dots were connected in the end. It truly set it apart. What I really enjoyed is how we get the point of view of the infamous ghost in this film. The reason the unknown is so scary to us is cause there’s never any reason put into why a ghost does what it does besides the extremely overdone. Really have to set yourself in the mood for this but the nuances are just brilliant for the time capsule this story brings to you. The wonderful thing about this film is that I feel one could just put it on loop and keep enjoying. I immediately had to just to catch up on what the ending was presenting to the audience. The slowness certainly holds it down but the ending is a must. I certainly recommend this as a must watch to get that inverted point of view.  

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7. Guardians of the Galaxy 2 [May]
Just pure fun is what this is.  James Gunn just kills it with not only the retro music but the visuals too. I actually enjoyed the B story with Rocket and Yandu than I did with Peter and friend. Rocket, Groot and Yandu actually got forced into an adventure while Peter Quill mostly just hung out. Even though I don’t think the story was as fulfilling as the first one for all characters, I just loved the themes that comes with them. Loyalty, family, and dancing. Between the visuals, character and fun music this certainly deserves to be on my list and a watch if you haven’t seen it yet. Also, how can anyone get over that dance from Baby Groot at the beginning? 
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6.  Darkest Hour [December]
Such a charming feature. Not really what one would expect from a WW2 themed film. Gary Oldman just kills it as Winston Churchill. This movie was pretty enlightening into the politics of the UK during the harshest times of WW2.I thought I was well informed about WW2 but that was only the American, Japanese and German aspects. Did not know how much of a internal clash Britain has. Was super scary to see how close they were to possibly surrendering to the Germans. The movie did such a great job in going sharing to politics their parliament was dealing with. 
One of the best character studies on this list. Gary Oldman found a means of making WInston a  bold bumbling grump while at the same time a brave charming hero. The films doesn’t make the situation black and white even though that’s how Winston has to lie and lay it out to the public. In his point of view, the end justifies the means and in this circumstance it’s presented as the right answer. Historically glad he made the decision but making decisions like that can always lead to defeat.
 The one aspect that made this feature standout was the eagle eye view we’d get of the map.of where the UK troops were. The way it was laid made one feel like they were a part of the war while being compelling to the eyes. Cannot praise the story enough. It’s truly the reason why Darkest Hour made its way on the list and to do that for the December month is pretty grand with all the Oscar drops that happen in the month.
5. Wonder Woman [June]
While a lot of these movies seemed to put a sour taste in my mouth(in a good way), Wonder Woman stands to inspire. Patty Jenkins was the perfect director for this film. Only detriment that Jenkin’s directing has is her action scene seem like they’re a ripoff of Zack Zyder. Really that was a minor fault. What Jenkins brought to Wonder Woman is the importance for these action scenes to take place. The No Man’s Land scene was the proper punch the audience needed to show what Wonder Woman stands for in such a complicated and messy war.     Seeing Gal Gadot with those sliding kicks taking out the Germans was great. The biggest reason this film made the list was it’s approach to good and evil. That it’s not that simple. It’s a brilliant arc that Wonder Woman has to go through. The film would’ve made it higher on the list had Wonder Woman followed through on it’s message of ‘you can’t just win by just punching the bad guy in the face’ Besides Coco, I could mark this as the most inspirational film on my list. 
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4. Graduation aka Bacalaureat [April]
Very similar to Stephen Knight’s Locke except we’re not trapped in a car this whole movie. This Romanian drama delves deeply into a situation a father is attempting to balance to ensure that his daughter graduates properly. Things just spiral out control.  At the beginning it seems like a simple although scary event that the family have to deal with.  We discover the father has a whole domino pile of things that he has to fix. Adrian Titieni brings a really subtle performance as the father. He is going through such high pressures but operating in such a calm demeanor. One can see the reason he’s taking these blow in such a calm demeanor is due to him carrying these heavy burdens way before the initial event that initiates the film occurs. It really is scarily relateble not to the extreme that the father is dealing with but in the fact that when we deal with problems of when it rains it pours. This movie asks over and over does the ends justify the means. 

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3. Split [January]
Yay! M Night is back! This film was pretty incredible. Not quite his best but it seems like he’s having fun. For some reason I went into this expecting a realistice flick of a kidnapper with multiple personality disorder. Really not sure why. Up there with Gary Oldman, James McAvoy put on one of the best perfomances of the year. Just like Shaymalan he is having plenty of fun too. What I also admired for McAvoy’s performance is that a costume change wasn’t needed for one to tell the differences between personality. Even just the facial expression and I could tell that a different personality has taken ahold of him. The film had a great mystery as to what the deal was with McAvoy, an intense thriller of if the girls were going to survive and I caught myself chuckling a bit when it came to how off the wall the personalities were going. This film gets a higher rating just at the amount of intrigue I had in my investment of the whole film. 



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2. I Don’t Feel At Home in this World Anymore [February]
Fantastic film that went off the rails so fast. It starts as a film about a corky nurse, whose having a bad day to the ultimate mcguffin carnage. I caught myself laughing at events that there’s no way I could laugh at in real life. All the character standout for their eccentric demeanor and that what makes this world so exciting especially how these are done in such a droll way. The nice things even though all the characters are unconventional they don’t simply lay down for the others. There’s plenty of good face-offs. Not all of them end in bloodshed but the ones are likely the most satistfying. That’s the wonderful aspect of this film is that it’s very difficult to stick a genre on it. Really don’t mind cause the whole thing was unpredictable but the story still continued and had a fulfilling ending. Really can’t get enough from this crew. Macon Blair wrote and directed this but also co produced  Jeremy Saulnier’s other films of Green Room and Blue Ruins. So if you liked those, this should be your alley in a much lighter sense. 
It’s automatic that when someone from this crew puts together a film it makes it in the top 5 of my list.

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1. Coco [November]
I really feel like a smuck for making a Disner Pixar flick #1 but I can’t help. In Coco I was pulled into this alluring fantasy that delves in Mexican culture.  Can’t say I learned much as far as information but I learned something far more important of the emotional connection these families had with their relatives who have past.
 The themes of love, inspiration, hope, fighting what you believe in, boldness, heart, family, letting go, not letting go are super strong and well thought out. The visuals were breathtaking. Before the film there was a clip about what the directors had to do to create the landscape of the city Miguel visits. It took layer upon layer to put them together. The attention to detail is incredible and very much appreciated. Every scene had something appealing in the background that I always enjoyed examining.
 So great themes, great visuals and there’s also the characters. I love how the shoe company was created by a woman who had to hold the family together despite the lack of father. The grandma was great how she was ready with her chanclas anytime someone tried poisoning her family with music. Then there’s Miguel who really sold the story as a stubborn child who has great intentions but doesn’t know how to solve the roadblock his families has had for decades. Really family issues like that are very easy to connect it to. The film dumbs it down a little but I enjoyed the process of solving it so much the finale didn’t wreck that by any means. 
Lastly the music is another aspect that is top notch. Pixar when involving music usually do a great job. Feel like they went about and beyond. Had the music running through my head for awhile after seeing it. Made me immediately want to watch a Robert Rodriguez film. :P 
Coco beomes #1 since I was so inviested, intrigued and excited during the whole viewing. 
Past list: 2009 2010 2011 X 2012  2013 X 2014 X 2015 X 2016
      *Please don't look at the archives; there a bit embarrassing. 
Thanks for reading.  Hope these are films you’d be willing to check out if you haven’t to make ensure you did’t miss the best 2017 had to offer.  If you need help finding these flicks, let me know and I can likely hook you up.  Would love to see your list and what you think I am missing or what you feel I may have overrated. These list are a blast to make and hopefully they portray the best of 2017 despite my odd format.